About the Journal
Hardstone carving (glyptics ) is a term that is used in the fields of art history and archaeology to describe the artistic process of carving semi-precious stones (and occasionally gemstones) like jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carnelian, as well as for things that are crafted using this technology. In most cases, the artifacts are of a little size, and the category is quite similar to that of sculpture and jewelry. Stone carving is occasionally referred to by the Italian phrase pietre dure; however, pietra dura (with a "a") is the typical name used for stone inlay work, which creates some confusion.
The coverage of such objects in non-specialist art history tends to be relegated to a catch-all decorative arts or "minor arts" category today. This is despite the fact that such objects were among the most highly prized in a wide variety of cultures from the Neolithic period until approximately the 19th century. They were frequently attributed to special powers or religious significance. Examples of the kinds of things that have been carved include things that have been used for religious or ritualistic purposes, engraved jewels such as signet rings and other forms of seals, handles, belt hooks, and other similar items, containers, and objects that are merely ornamental.
